Tuesday, November 30, 2010

First-year Friday Fanfare (insert bugle flourish here)

Theatre VCU had one of the most outstanding First-Year Fridays on November 19th! We hosted dozens (six dozen to be exact) of First-year parents, siblings, even a husband, for a day-long introduction to life as a freshman at Theatre VCU topped with a complimentary tickets to that evening's performance of Les Liaisons Dangereuses.

The day began with an introduction by Dept. Chair David Leong and Associate Chair Aaron Anderson.

Followed by our faculty introducing themselves to the audience. Kevin McGranahan received a special call-out by one of our parents as the guy who was "heavily appreciated" for keeping our kids safe.

This blogster even got a chance to snap a photo or two of our visitors. I believe they were forced to yell "First-Year Friday" instead of the customary "Cheese".

After the complimentary lunch everyone enjoyed  a performance by our Senior Showcase 2011.
Here's just a sample of their work:


Our large group broke into two groups. "Performance" families where Barry Bell explained and explored student work on monologues and scenes. Lorri Lindberg and a few seniors spoke about the challenges and rewards of Senior Showcase. Meanwhile, "Design/Tech" families  joined the tech faculty in the Hodges Theatre and enjoyed a lively talk about expectations, training, and professional opportunities. Tony Leslie James, Director of Costume Design, shared production photos and fielded questions along with Lou Szari, lighting, Alan Williamson, TD, Glynn Brannan, drawing, and several students.
We wrapped up the day with a tour, and a Q&A with David Leong. 
Theatre VCU is a family, and the annual First-Year Friday meet and greet is a great way to welcome the newest members. Thank you to all the parents and family who shared the day with us and with our students!

 Here are a few of the comments we received from our 2010 First-Year Friday families:
• The performance class really gave us a sense of what my son’s day is like
• The class talking about how my son will get a job when he leaves here
• The time taken to keep parents informed of their child’s career choice.  I feel that great/valuable information was presented.
• How important it is for the faculty and staff that our students are developed both professionally and personally
• Understanding of the team nature of the course. How all the individual pieces are complementary.
• Knowing that faculty have continuing professional lives. 
• Great program. Makes us feel a part of the VCU Theatre Family.

Monday, November 29, 2010

AND... We're Back....

Are you aware of this amazing opportunity?

Are you planning to start a theatre?
Work in community theatre?
Get a job with an independent theatre?
This workshop is FOR YOU!
It is not too late to sign up!!


This afternoon Theatre VCU is hosting Carey Lawless who will be teaching

Let's Put on a Show
A master class about the art and craft
of producing a live theatre from the
producers point of view.

Monday, November 29    Master Class

Wednesday, Dec 1    Master Class

Thursday, Dec 2     Final Master Class

Classes in B72 from 3:00-5:00

You will need to bring to class:

One of the following scripts (which you must have read prior to the master class)

   a)  A Midsummer’s Nights Dream  (full version)- W. Shakespeare
   b)  Sabrina Fair - Samuel A. Taylor
   c)  Zombie Prom (musical) -  dana p rowe, music, john dempsey books and lyrics
   d)  Bad Dates - Theresa Rebeck

Carey Lawless has been the Production Manager for the Arena Stage, Washington, DC, and was responsible for the development and administration of 5.5 million production and operations budgets for hiring and contracting artistic and staff for theater and for the scheduling and coordination of productions in a three theater complex. Prior to that she was the Production Manager for the Milwaukee Repertory Theater, and for the Actors’ Studio Drama School, the Production Manager of Actors’ Studio Drama School, the Theater Manager of the Graduate Theater Division, Columbia University, NY, and the Stage Manager of The Utah Shakespearean Festival.



Tuesday, November 23, 2010

FREE film followed by a PARTY! December 9 at the Hodges!

An invitation to ALL students, Alumni, faculty, staff and ALL friends of Theatre VCU

Join us in the Hodges Theatre on Thursday, December 9, 2010 at 5:00 pm for the FREE premiere of Emmy Award winning director Lisa Crawford’s film Senior Showcase 2010. And as a gift to you, we will follow the screening with a celebration in the lobby of the Singleton Performing Arts Center, 922 Park Ave,. Richmond VA 23284.

All who wish to attend must reserve a free ticket in advance by emailing Michelle Anderson at manderson6@vcu.edu. Tickets can be picked up at will-call between Nov. 29 and Dec. 2. Tickets and seating are on first come, first served basis.

What's not to be thankful for?

Well here we are. November is well upon us and the official start of Winter is less than a month away. As the weather turns colder and the days get shorter, it's easy to fall into the cycle of the daily grind, working and pushing against the heavy barriers of our lives without any respite. We end up trudging through the day-by-day, focusing on petty challenges and taking little or no time at all to consider ourselves and how lucky each of us really is. As we reach another holiday season, it's important to step back and remember what exactly it is your we are thankful for.



With that sentiment in mind, I sent out a request to my fellow seniors (and one or two faculty), asking them what it is they are thankful for this holiday season.



Here are just some of the responses:



“Thankful to be Alive; Thankful to be involved in Theatre; Thankful that Theatre IS my Life.”

Jim Thompson



“This holiday season I'm thankful for the health of my family and friends. I'm thankful for my art and that everyday I have another chance to grow in it. I'm thankful that no matter where I am, be it VCU or with my family- I feel as if I'm at home. And of course there's much more but these are definitely the most important. “

Crystal Johnson




“I am thankful for a senior class that works hard, cares about doing a good job and is easy to get along with.”

Lorri Lindberg




“I'm not even sure I could find the words to describe how truly blessed I feel. I have a wonderful, supportive, stable family who encourages me in everything that I do. I've somehow managed to surround myself with friends who are more like family than anything else, who provide me with all the emotional support I could ever hope for, and I have a new-found love for this profession that I've chosen. I am healthy, well-fed, and firmly ensconced in a city that I adore. I try everyday to find a time to give thanks for all these gifts I've been given, and to thank the people who enrich my life. Thank you.”

Claire Biggers




“I am thankful for waking up every morning, the support group at TheatreVCU, our training, my family and friends, the colorful fall leaves, smiles from passersby, and God's many blessings.”

Walid Chaya



"I'm thankful to be working with people who live their lives with passion and commitment. There is never a dull day at Theatre VCU.... gosh... I guess I did run off and join the circus!"

The Bloginator



“I am thankful and blessed for my family, my sisters who stick by me no matter what, my love! and the greatest opportunity to do what I love!”

Ashley Davis



“I am grateful for the opportunity to attend a school that presents me a variety of opportunities and to be able to obtain a valuable degree doing what I love to do! May 21, 2011 here we come!!”

Shatera Hillyer



Personally, I am eternally thankful for, simply put, being alive. I am so grateful to have incredibly supportive family and friends, who keep me out of harm's way and ensure I create the best work I can possibly make. There's nothing like having the best support system on earth constantly on-call, twenty-four hours a day, seven days a week.



I would be lying if I said these past few months haven't been especially challenging (and occasionally disappointing) for me. In my time at VCU, I've learned a huge amount about the nature of my fellow man and it's worth noting, things never turn out exactly as you imagined they would. There will always be people in the world who want nothing more than to make a cheap buck and will attack anyone who stands in their way. What will separate you from the beasts, however, is that you stand up for what you believe in at all costs. Petty and pathetic ego battles always exist in life but if your moral compass is strong, you will prevail.



I speak not of creed or specific doctrine but merely an unspoken bond that we as true artists carry with us wherever we go. I am blessed, so incredibly blessed, to be surrounded by colleagues who follow these standards. It saddens me that in a few short months, many of us will part ways and start our careers. What brightens this vision, however, is the fact that we will all do so with incredible gusto and that the bond we created during our time here will never once wane. So with all that in mind, I once more thank my friends, without whom I would be nothing.



My best to you and yours,

Tommy Callan

Class of 2011

Friday, November 19, 2010

The Bloginator just needs to share...

Just four of this blogster's favorite techies... lighting, scene design, stage management are represented...

Gotta to tell you...best job in the world working with these students and their friends.


Thanks to all of you, and you know who you are...
for the hard work, affection, and passion.

You remind me every day why we do this.

Group hug!

No Shame... food drive...

No Shame fans... support the arts... feed the hungry... feel the love.

We have a lot of great acts lined up so get yourself prepared for quite the evening!

This week, The Bloginator encourages everyone to bring out any extra canned or boxed food you have sitting around to donate to the Richmond food bank. There's a box set up in the lobby of the theatre and you can just drop it in as you enter.

If everyone brings just one food item, there will be a lot more happy families this holiday season.

(And check out All Hail Hurricane Gordo in Newdick Friday or Saturday at 8pm and Saturday at 3!)

Theatre VCU: Backstage Pass: ALL HAIL "All Hail Hurricane Gordo"

Theatre VCU: Backstage Pass: ALL HAIL "All Hail Hurricane Gordo": "All Hail Hurricane Gordo follows Chaz and Gordo, two brothers who were abandoned as children and are now living together outside New York..."

ALL HAIL "All Hail Hurricane Gordo"




All Hail Hurricane Gordo follows Chaz and Gordo, two brothers who were abandoned as children and are now living together outside New York City their mid-20s. It is often up to Chaz to take care of Gordo, whose severe social anxiety problems keep him from functioning on his own. To combat what he sees as stagnation and a crushing isolation deep in the suburbs, Chaz decides to rent out one of the spare rooms to India, a runaway and it's not long before her father, Oscar, comes looking for her. What follows is a darkly funny exploration into the following question: "is there such a thing as a 'normal' family?"

what does it mean to have a “normal family?”

is there such a thing?


as I plunged deeper and deeper into the world of carly mensch's all hail hurricane gordo over the past weeks and months, these are the two questions i kept coming back to. after many conversations with friends and introspection into my own upbringings, it's become obvious the answer to the second question is an unequivocal “no.” for better or for worse, we are products of our environment. if our families weren't unique and a little bit odd and if our parents didn't embarrass us until we turned blue at least once in our life, we would all be the same lifeless drones, unable to manifest a single creative thought.

though that may seem like a foregone conclusion, if unique families are part of the package deal, why then do so many privileged teenagers “hate” their parents? why would adopted children struggle to find their birth  parents? and why do some people go for years without so much as calling parents? home? the answers are complicated and vastly different for everyone and by no means do i claim to know them. what i do know, however, is that at the root of all our human desires is a desire for affirmation. our brains are wired to long for acceptance.

to be held.

to be loved.

if we lack the basic support system of a family, a part of our psyche is inherently empty.

i am more than aware that not everyone is blessed with the care of a supportive and loving, traditional family but again, we find ourselves using

these definitions.

“traditional.”

“normal.”

“correct.”

what exactly is a family anyway?

if you allow yourself to forget the definition of family, you may find you had one all along.



Tuesday, November 16, 2010

Les Liaisons Dangereuses Up Close and Personal Part one

An Interview with Tori Bertocci

Tori is a fourth-year Theatre VCU student pursuing her BFA in Theatre Performancee with a minor in Dance and Choreography. She is currently on the path towards working as a stunt worman. She plays Emilie, a courtesan that Valmont has taken a liking to. Madame de Trouvel interrupts a meeting between Emilie and Valmont, which cause conflicts in Trouvel and Valmont’s relationship.


With such a period piece, how has the rehearsal process been for the show?


The rehearsal process has been an amazing experience. All of the ladies wore rehearsal corsets from the beginning of rehearsal, in order to learn how to hold that tall 18th century carriage. Also, we had to learn how to support our breath and breathe properly with the restriction of torso that the corsets created. The period history is fascinating, and all of the actors researched the history of France pre and post revolutionary times. This show requires the dedication of everyone involved as we bring to life this world with honest human emotion and actions, while never losing the story.  
 

How has it been working with Tawnya Pettiford-Wates and Aaron Willoughby as well as the rest of the crew? Is this your first time working with the team?

It is always a fulfilling adventure working with Dr. T. I love her methods and passion for theatre. Aaron has been a great support in the journey of Liaisons, both him and Dr. T have helped all the actors to grow as artists and always continue to teach me more about myself as an artist and the art of theatre itself. The crew have been so supportive and an absolute joy to work with.


 What research have you done for the production for your character?

 I am always researching for Emilie. Consistently finding out more and more to support her and how she has evolved into this character. I began by looking at French art, and then researched a great deal about the history of France at that time, as well as the music from the time period. I also delved into the movement style of people, especially women from this time. Specifically for Emilie, I became closely associated with the courtesans of the time period, how they were viewed, what they did and why, and their social class level was. Once I did the book research, I was then able to do some explorations in the studio and rehearsal - finding her body center and voice.


With such an active and intensive rehearsal schedule, how has your time management improved?

 I record all that I have to do and schedule things in on an agenda, making sure that I have enough time to do all that I need to finish. I have reaffirmed my belief that there is always enough time. I make sure to hit the deadlines in chronological order.


What are your future projects?

I am in a continual process of creating my solo piece, This Colorful Imperfection, which will be first shared in December with the Solo Class Sharings on Dec 13th and 15th. I am also in the process of working on an independent study with Lauren Hafner that is delving into the world of Archetypes and how they move through dance. We will be sharing our work for an audience on the evening of Dec 14th. I am also working on a movement study under the direction of Charley Raintree.


What is some advice you can share for perspective students for theatre students at VCU?

Grab every opportunity that comes your way, especially if it is something new, something you have never done before, because you may find a new interest. Theatre VCU is a safe environment, a learning environment and you should utilize every second of your time here. With that said, make sure you don't overbook yourself. You cannot succeed if you deplete your energy. Live moment to moment, breathe deeply and know that you are enough.

Monday, November 15, 2010

Make your plans now for next weekend!!

Backstage at Les Liaisons Dangereuses

The opening weekend was great - just look at our Facebook page!

Now it's up to you...

We have one more weekend to go and everyone who loves Theatre VCU needs tell every friend, every facebook friend,  every classmate, every professor, every neighbor, every person standing in line next to them that this is a absolutely beautiful, smart, darkly funny, amazing show.... and that they need to  Support the Actors and Artists who made this gorgeous confection possible!!!


Come spend a couple of hours in this 17th century web of seduction, and intrigue...  you will love it!














meanwhile...
Matt Block, Alan Vollmer, Emily Rosko, and who is that behind the camera?
backstage.......

Saturday, November 13, 2010

A Feast for the Eyes!

We open tonight!!! It's hard to believe that in little over a week we went from this:




to THIS!







Ladies and gentlemen... it's absolutely beautiful!




As an aside: I was informed, by a packet of notes wrapped in a pink ribbon delivered by a servant, that the lovely Ms. Jennifer Ferguson's name was spelled incorrectly in one spot in the Playbill. To defend her honor I met the misguided speller at dawn with dueling pistols. Ms. Ferguson, your name has been upheld, and the dying words of your offender were "Please, beg her forgiveness."


Do not miss this lush drama of gamesmanship... with a side order of 18th century lust. Delicious!

Thursday, November 11, 2010

Animal Farm revisited... Josh Chenard, our newest faculty member, answers a few questions.

1. Last weekend you directed a personal adaptation of George Orwell's famous Animal Farm. If you could, go into a little detail on how the idea of the project came to be and the process you went through in creating the script.

Each Summer I try to read or re-read a literary classic. Last Summer I read Animal Farm for the first time. I was compelled by the dark allegory masked in a simplistic farm fable. I began to dig around for scripts, but didn't find any that captured both the child like characterization and the brutality of the story arc. So, I ended up taking pieces of scripts I like, adapting scenes from the book on my own, and making changes that better served the theatricality of the piece. I hope that I have pieced together a tale that honors Orwell's work.

2. As a majority of the actors are playing animals, what type of work have you done with them to create the essential elements of non-human behavior that are necessary to portray such creatures? I also understand they are using masks and stilts . How has that process been on both you as the director and your actors?

The wonderful thing about playing animals is the immediate and urgent quality in which they operate. Dogs don't worry about their super objectives, obstacles, tactics or emotional journey. They want food. They want to be pet. They want to run. They do not consider the consequences; they give over to the impulse. Through a series of rehearsals, workshops, and discussions, the actors have been able to peel back the usual layers of preparation to work simply, with specificity, and with a singular focus. For some of the animals, it is about nothing more than survival.

The stilts and masks were amazing additions to the aesthetic of the piece. They of course posed their own set of concerns as stilt work and mask work requires time. I definitely underestimated the amount of time I would need to rehearse these elements. I am lucky to have professional and resilient actors. Even without enough time, they made it happen and pulling it off with ease.

3. From 2008 to Spring of this year, you were an MFA candidate here at TheatreVCU and immediately after you were hired as a faculty member. How have you grown as an artist in the past two and a half years here and are there any colleagues here that you credit some of your success to?

I have had, and am continuing to have an incredible experience at VCU. To spend my days surrounded by students and colleagues who care about craft, hunger for truthful expression, and graciously share their talents is a gift. Evolution is fluid; I feel myself evolving every day as an artist, teacher, and person.

4. What is next for you after Animal Farm? In the coming years, do you plan to continue primarily focusing on directing or are you interested in getting back into acting?

I am always interested in getting back into acting. I think it is important that I talk the talk and walk the walk. I can't teach it if I am not doing it. So, once a year I try to act in something. I get offers from friends all over the country to work on theatre and/or film projects they are producing. I always hope to keep my Summer and Winter schedules free so I can take advantage of those opportunities. In terms of directing, I have a lot of projects brewing in my mind. I am playing around with a modernization of a Moliere piece I have been dying to do, I have been wanting to direct O'Neill's Desire Under The Elms for years. I'm toying with throwing a Judith Thompson play next semester. It is very dark, gritty, violent...I am still thinking about it. We'll see.

5. What sort of advice do you have for your students (current and past) as they begin to graduate and face the prospects of entering the global theatrical community?

That if you change the way you look at things, the things you look at change. This is a hard business, you can't change that...but you CAN change how you view it and interact with it. Stay positive, work hard, and don't let fear rule you.

Final reflection: Animal Farm was a wonderful experience for me. It was definitely a risk; masks, stilts, animals...this was all new to me. But, art isn't about playing it safe...it felt good to push my directing boundaries...I hope I always push. I certainly can't expect my students to be brave and climb out on that theatrical limb if I am not willing to do so myself.

Audition Opportunities for VCU students

Richmond Shakespeare always appreciates the tremendous hard work and professional attitude of the students coming from VCU's Department of Theatre.  Having attended myself, I am always pleased to see VCU students at our auditions. Please pass along, and post where possible these auditions for Romeo and Juliet and King Lear.
Thank you,
Sarah Cole
Director of Communications
Richmond Shakespeare

ROMEO AND JULIET - NOV 22
Richmond Shakespeare: Romeo & Juliet, by William Shakespeare.
Monday, November 22, from 630-930pm.
Director Grant Mudge seeks eleven (11) males, four (4) female actors and two (2) musicians for its production of Romeo & Juliet.
RS Associate Artist Liz Blake White is cast in the role of Juliet.

Auditions will be held at Westover Hills United Methodist Church, just south of the nickel bridge at 1705 Westover Hills Blvd.
The production will run February 10-26, 2011 in the Gottwald Playhouse at Richmond CenterStage.  Callbacks will be on the following evening, November 23.

Actors should present a one-minute classical monologue.  Actors should note that the production will tour on limited, select dates between February 14 and May 20, 2011.    Roles and further details available at RichmondShakespeare.com and click on "Auditions."  E-mail Info@RichmondShakespeare.com or phone 804-232-4000 for an audition appointment.   Rehearsals are held in the evenings and weekends and will begin once the show is cast.


KING LEAR - NOV 29
Richmond Shakespeare will hold auditions for King Lear, by William Shakespeare in conjunction with the previously announced auditions for Richmond Triangle Players' Devil Boys from Beyond.
Director James Alexander Bond will audition actors for both productions on Monday, November 29, beginning at 630pm in the Richmond Triangle Players Theater, 1300 Altamont Avenue, Richmond.  Callbacks will be on Wed Dec 1. (At Richmond Shakes' offices, 1800 E. Cary, 23223).
For LEAR, 12 males and 3 females of all ethnicities, ages 20-60.  Actor Alan Sader is cast in the title role for King Lear.

Actors should present a one-to-two minute monologue, and be prepared to play with it.
Rehearsals are held in the evenings and weekends and will begin on April 25. Performances are June 10-July 3, 2011, at 500 year-old Agecroft Hall, part of the Richmond Shakespeare Festival.  For more information on King Lear, visit RichmondShakespeare.com. For more information on Devil Boys from Beyond, visit www.rtriangle.org.

Wednesday, November 10, 2010

Another magnificent Master Class

 Carey Lawless, the former Production Manager of Arena Stage, Washington DC (see her abbreviated bio at the bottom of this blog) is presenting an intense three day Master Class the art and craft of producing live theatre from the producers point of view.

This is a rare opportunity to tap the experience and knowledge of a successful theatre professional who was in charge of budgeting, season planning, hiring, negotiating, and putting on show after show that made money, and appealed to the Washington audiences.

Do not miss ....

Carey Lawless* presents…

“Let's put on a show!” 
THE ART & CRAFT OF PRODUCING  LIVE THEATRE 
FROM THE PRODUCERS POINT OF VIEW

Monday, November 29    Master Class

Wednesday, Dec 1    Master Class

Thursday, Dec 2     Final Master Class

Classes in B72 from 3:00-5:00

SIGN-UP SHEET IS IN THE  STUDENT LOUNGE


You will need to bring to class:

One of the following scripts (which you must have read prior to the master class)

    a)  A Midsummer’s Nights Dream  (full version)- W. Shakespeare
   b)  Sabrina Fair - Samuel A. Taylor
   c)  Zombie Prom (musical) -  dana p rowe, music, john dempsey                                 books and lyrics
   d)  Bad Dates - Theresa Rebeck

If scripts are not available in local libraries, then you must order from Samuel French Plays website.
Please obtain these scripts as soon as possible. 
If you arrive without a script at the first session on 
November 29, you will be not allowed to participate in the class.



*Carey Lawless has been the Production Manager for the Arena Stage, Washington, DC, and was responsible for the development and administration of 5.5 million production and operations budgets for hiring and contracting artistic and staff for theater and for the scheduling and coordination of productions in a three theater complex. Prior to that she was the Production Manager for the Milwaukee Repertory Theater, and for the Actors’ Studio Drama School, the Production Manager of Actors’ Studio Drama School, the Theater Manager of the Graduate Theater Division, Columbia University, NY, and the Stage Manager of The Utah Shakespearean Festival.

You hearin' this?

Tuesday, November 9, 2010

Isn't she beautiful?... isn't she lovely?

Another Les Liaisons Dangereuses update.

From yesterday... a gorgeous gown....















the set...on 11/8/10
 the set... on 11/9/10
















...meanwhile in the costume shop madly, madly hemming....






favorite thing overheard while the third window is being lifted up by winches, several students, the TD and the Shop Foreman..."remember all y'all it ain't rocket surgery."



Merci et à Bientôt! from Emmanuelle Chaulot

For those who may of missed it because of the haze left over from our "incident", Theatre VCU had a brilliant and generous guest artist last week, Emmanuelle Chaulet. One reliable source described her workshops as "life changing". 
Upon leaving us Emmanuelle sent us this lovely note:
 
Dear VCU Theatre Department:

I just spent a truly energizing week in Richmond with all of you and want to thank everyone for 6 fun-filled and inspiring days. My gratitude goes to all students, faculty and staff for such a warm welcome and for a wonderfully committed, focused, receptive and 'high energy vibration' group of students!
 
In particular, I want to thank my dear friend and colleague Josh Chenard, who has not only been a most gracious host, but who also recharged and renewed my inspiration.

Additionally, I want to extend my congratulations to all on ANIMAL FARM, the show which opened last night and which he directed. It is an exciting and thought provoking moment of theatre! Kudos to all the actors who showed a wonderful feeling of ease on stilts and with beautiful masks...
I'd love to hear about all of your projects and would like to keep you informed of my upcoming retreats and workshops. Please sign my email list at: starlightacting-subscribe@yahoogroups.com

Merci et à Bientôt!
Emmanuelle Chaulet
Emmanuelle Chaulet
Starlight Acting Institute, director
Energize a holistic approach to acting
http://www.emmanuellechaulet.com
http://www.starlightacting.org
E-list: starlightacting-subscribe@yahoogroups.com
energize@starlightacting.org
info@emmanuellechaulet.com

Saturday, November 6, 2010

no words necessary.... no shame... november 5







have they no shame....?

(another great night for Theatre VCU)

Last two shows for Animal Farm!!

You have a half hour to get to The Newdick Theatre at Shafer St. for the 2:00 pm show, while the last show of Animal Farm directed by Josh Chenard goes up at 6:00 pm.

The word is that this production is very moving and disturbing... George Orwell would be proud.

One week to go!

 Here's the Hodges stage as of this morning... Saturday, Nov. 6.

The Service Pro guys are cleaning each seat. Frankly, they've never looked better.

The central windows are in, and over the din of the "airscrubbers" you can hear the whine of the table saw from the scene shop.

Everyone is remaining calm, focused and polite.

Down in the basement velvet coats are being trimmed, gowns are being fitted and edged in lace.

Open House was a huge success, and the potential students and their families who attended were impressed by the stunning upholstery in the lobby.

Many thanks to my beautiful assistants: Blaire, Sarah, Lauren and Matt. Thank you for sharing your passion and stories of the theatre dept. I'm sure you would of rather stayed in bed... it was generous of you to donate your Saturday morning to the cause!

And finally, thank you to the high school students and their families who traveled as far away as Portsmouth and Fluvanna to visit Theatre VCU this morning. 

Friday, November 5, 2010

There are never enough thank yous!!

A note received this morning by this Bloginator from a high school senior who toured the department, and who also attended VTA. Knowing how hard everyone is working this week - this letter is for you guys.

I may have been the tour guide... but it was our amazing students who showed this student their warmth and commitment. Thank you, she's right, you know...

Thank you so much for the warmth and welcome you gave me when I came to tour VCU.  What VCU has to offer theatre students is amazing of course, but the impact of having you take your time out to show me around, and introduce me to other students is what made me feel like this is my home.

It was a wonderful example of a warm home within a large, urban environment.  When I went to meet with you, I had a list of 7 schools I was interested in.  Having met with you, and then Lorri at VTA, I know there is no other place for me.  This is where I want to be.

I will be working hard on my monologue, and then auditioning in Dec.  If there are any good words you can put in for me, I would appreciate it.

Thank you again for your time on a day when you were very busy and had deadlines to meet.  And thank you so much for introducing me to the students and staff in the department.

"ALL ANIMALS ARE EQUAL, BUT SOME ARE MORE EQUAL THAN OTHERS"

Come check out George Orwell's ANIMAL FARM at the Shafer Street Playhouse running November 5th at 8:00 and November 6th at 2:00 and 8:00!

Thursday, November 4, 2010

IT"S ON!!! Curtain up Saturday, November 13, 7:30

As some of you know, we had a potentially disastrous "glitch" in the Raymond Hodges Theatre on Monday, November 1.... perhaps it was the last goblin of the previous day's Halloween.

Even though we were in welding compliance, had thought about every possible scenario, had spotters, and followed every guideline... Even though we had NEVER before had a freak accident like this... Even though we thought we had thought of everything... One spark, just one determined little spark found it's way into the theatre ventilation system... and set thirty years of dust to smoldering. Within minutes the alarms went off and we had Richmond's finest out front in full fire-fighting regalia.

By then the TD and shop supervisor had tracked down the problem backstage.

And with an axe or two the fire department made sure: yep, the ventilator is now a memory.

Long story short: smoke damage.
Isn't it amazing where smoke manages to find a home?

By Monday night ServicePro had their air scrubbing fans roaring and had sealed off the theatre.

By Wednesday a complete crew started the wipe down/scrub down from ceiling to floor.

Every light and line.

Every theatre seat.

Under the seats.

Behind the seats... and everywhere in between.

And after holding our collective breaths for three and a half days we received our verdict. The air exchanger and air conditioning will be up and running.


The students are on "All Call" 24/7 and we are going to have a show in nine days.

To your right is the stage as of now.

This blogster will keep a photo journal so you can see the transformation. Nine days. Scenery, costuming, lighting... and of course, the actors.

Pretty damn exciting if you ask me...


Curtain up Saturday, November 13 at 7:30

And I, for one, will be giving a standing ovation for our TD, Alan Williamson, our Shop Supervisor, Kevin McGranahan, our Lighting Supervisor, Lou Szari, our Costume Shop Supervisor, Neno Russell and for ALL the students who will paint, weld, hammer, focus, and stitch this beautiful creation to life.

Smart Actors and the "monster"

The Blog team was able to briefly corner Aaron Willoughby and ask him a few questions about his work as Tawnya Pettiford-Wates’ assistant director on Les Liaisons Dangereuses, and his unusual graduate thesis topic.

How is it working with Dr. T and the cast?

Working with Dr. T is a different experience than working with most directors.  Her style of crafting a unique production comes from her actors and their work along with her own vision.  She instilling the idea of a “smart actor” in her productions putting responsibilities and the creative process in both her hands as well as each an every actor.  Dr. T also has an amazing way of taking specific individual notes to be incorporated to everyone: actors, stage managers, and even tech crew.  She tries to change a note into a concept that can be translated into everyone’s jobs.


What are some of the challenges of working on Les Liaisons Dangereuses?


This show is a monster...as far as the language, themes, costumes, and the period it must encapsulate.  To give this show the production it deserves, the cast, crew, and design team need to fully live in the world of the play – the elaborate, and ornate world of 17th century French aristocracy.  Coming together with great individuals to make this show possible is something that can’t be praised enough. I can’t think of a better team to tackle this massive show.


Share with us the topic of your graduate thesis. What research and projects are you working on that will specifically influence it?

My topic for my thesis is Video Game Theatre.  I have been talking with video game industry individuals, music composers, graphic designers, and “nerds” of all kinds to come together and create a new theatrical piece fusing video games and theatre.  Over the next few weeks, I will be creating a brand new script for a play that will fuse the CIC’s of video gaming: Community, Interaction, and Competition.  I am still researching ideas, concepts, and effective uses of technology into the production, but my main goal is to bring together those who love theatre and those who love video games under the same roof and find the common elements in both!


You spent some time in Japan teaching English. How did your time overseas affect your perspective on art and theatre?

I was in Japan, Osaka to be exact, for one year.  While there, I was given a place to live, a weekly job schedule, job training, and exposure to a new way of life.  As a person who is always willing to explore, I highly recommend to anyone just to travel!  Simple as that.  I never studied Japanese in college but was drawn to the culture, atmosphere, traditions, and arts of that amazing land.  I was fortunate enough to see several theatrical productions and the experience was both unique and moving.  I learned the power and responsibility of both an actor and a human begin to explore this wide and expansive world.


What is some advice you can give to some of your fellow students here at TheatreVCU?

The best advice I can give to both students and faculty is to simply have the mindset to keep exploring and experimenting for as long as you live!

Wednesday, November 3, 2010

the last night of Betrayal....

Student theatre is a safe place for students to experiment with pieces of work that, outside of this safe space, they more than likely would not be cast in. Where else can a group of young adults put on a Harold Pinter play?

Often people overlook the fact that Shafer Street playhouse contains not only Newdick Theatre, but a host of other exciting theatrical spaces, which often lend themselves to more intimate stagings. Kerry McGee and the cast of Betrayal certainly utilized the space in Shafer 302, creating an intimate atmosphere which brought the audience into the world of the characters.

Rumor has it that director McGee is interested in the works of the Wooster Group. This influence could be seen in the alternative way she decided to cast the show, using different people in each scene and color-coding their clothing by character. The gender bending scenes and free-flowing transitions keep the audience engaged and entertained throughout. Don't miss its last night tonight in Shafer 302.

Great Press for SALT!! Congratulations to the hardworking Alliance Board

Style Magazine wrote a great article about the Shafer Alliance Labratory Theatre. If you're not involved... you're going to want to GET involved after reading this hot off the presses article.

Anyone interested in some film work for the university!??

My name is Bryce Spivey, and I''m writing in regards to a couple PAID acting opportunities I proposed.

Basically, I need to hire and (1)male and (1)female for a one day video shoot. *We plan to shoot as early as possible! (Preferably sometime next week)

It's for a promo video (about 2 min. in length). This will be great exposure... About 30,000 students will be exposed to this video each semester- over the next two years.... PLUS- each role IS PAID.

If you're interested...

Please send the following (to spiveykb@vcu.edu)
 *Your day-rate
 *Head shot/Body shot
 *An example of your work (preferably a video example)
 *Resume (a couple references is def. a plus)

Each of the two characters is an outgoing and charismatic (college-aged) 'student'.

This opportunity won't be available for long! Please contact me as soon as possible.

I look forward to hearing from you soon!

Monday, November 1, 2010

Showcase seniors ready to rock!!!!

The list went up while this blogger was napping....

Not really. There was this weekend gig called VTA that took the blogmeister away from the world of blogstering (yes. I made that word up.) Interested in VTA... then go here.

But that was then and this his now - drum roll please...

Going to New York:

NYC Actor’s Connection Showcase Cast:
Jenn Ferguson
Claire Biggers
Collin Chute
Lauren Hafner
Matt Mitchell
Courtney McCullough
Crystal Johnson
Victoria Bertocci
 Elyse Thaler
Elyse Jolley
Jillian Marchlewski
Shatera Hillyer
Virginia Fields
Ian Page
Lucian Restivo
Gentry Roth
Liz Venz
Ashley Keeter
and joining them in Chicago:
Chicago Showcase Cast:
All of the above NYC Cast Plus:
Nicholas Webster
Ashley Davis
Adriel Hunter
Carolyn Sutherlin
Timothy Douglas
Erica Breig
Tommy Callan
Eben Kuhns
Carla Josephs
Trista Dandrea

CONGRATULATIONS TO ALL!!!!!

If you are not a Theatre VCU student and are interested in learning more about Senior Showcase please email Glynn Brannan at gmbrannan@vcu.edu and she will enlighten you with factoids, and enthusiasm!

Not to brag....(again)... but check out this VCU video

Why... wasn't that Why wasn't that Caylyn Temple (Theatre VCU 10), Eric Stallings (Theatre VCU 10) and Antonio Tillman (Theatre VCU 12)?
Great work guys... pretty damn funny if you ask this blogger....
I'll be singing Girls Just Wanna Have Fun all afternoon... thanks....

Love and betrayal in room 302

Harold Pinter's Betrayal directed by Kerry McGee tomorrow, Tuesday and Wednesday at 9pm 
Shafer Street Playhouse, room 302

The play is free of charge and runs only about 80 minutes so please try to fit it into your busy schedule.

Betrayal by Harold Pinter
Directed by Kerry McGee
Assistant Directed by Justin Delaney

Featuring
Justin Ahdoot
Greg Joubert
Bryan Leach
Adam Mincks
Kendra Mosley
Rebecca Anne Muhleman
Sara Schmatz
Caroline Sumner
Phil Vollmer